Dresden. The place where to the shuffling voices and the background wailing of free-form
jazz, I wrote letters to Jordan. Usually, there were few people about
(anonymous types, drunk and mysterious), and I could approach my place in the
corner, under a crumpled, smoke-stained Reservoir
Dogs poster, and go about my business. This happened every Friday night. I
ordered a glass of beer, took out a notepad and a pen and began with this:
‘Dear Jordan’. After that my mind blanked me and I stopped. Then I ordered
another glass of beer (all the money my parents gave me), but the drink never
helped. It distracted me to the point where I could not even imagine the face
or the intense seduction of her voice. At some point later I tore the sheet out
of my notepad and stuffed it into the back pocket of my jeans. Jazz was
becoming chaotic (wanking with a trumpet, as my dad liked to say) and I went
home drunk and unhappy, fearing tomorrow’s hangover and believing I would never
attempt writing another letter to Jordan.
It was during one of
those late morning hangovers, when the walls of my room eyed me with sickening
disdain, that I heard the telephone ripping through my brain. It was Henry.
“Burroughs is dying”,
he said.
Burroughs was the
only reason why Henry and I were friends. Either Burroughs or Jordan. A girl I
first saw two years ago, under an oak tree in Holloway park, reading Junkie. That old and rather
cheap-looking edition, dark red with a needle penetrating an arm. The one I had
been meaning to buy for ages. Burroughs was a writer you discussed a lot but
never actually read. Or maybe you tried – but barely survived twenty pages. The
girl was blonde and, from what I could see, staggeringly beautiful. The whole
scene was something to behold: the clouds, which on that day looked low and
heavy and pregnant with rain, were poked by the green antlers of the tree; and
the girl, the centrepiece, fatally expressive with her voice and her gestures.
Stunned, I could not move. The added sense of anxiety was that she was not
alone. In fact, she was reading those words to someone else; someone who was
lying in the tall grass, by her feet.
I cannot say for how
long I had been standing there, but at some point the girl saw me and waved.
Quickly, I hurried to leave. ‘Hey you’, she screamed, and I turned around.
Blushing, I came closer, thinking of all the reasons why I had to be doing
that. But I couldn’t say no. There was something about the girl that implied no
argument: she was completely naked.
Henry was the one
lying in the grass, taking in the words as they kept floating out of the girl’s
mouth like some mad prayer. And she was mad, too, walking about the tree as if
possessed, going from soft whispers to full-on wailing. Henry, a face I vaguely
knew from school or from elsewhere, silently instructed me to lie down beside
him. In the rush of the moment, I could not find the courage to protest or
question reality. But the strangest thing of all was that I could make out the
words and even parts of the story. I actually followed it, along with each and
every curve of her body, wet, glistening in the scorching sun rays of a midday.
“Don’t you want to fuck
her?” Henry asked.
I mumbled something.
“Her name is Jordan”.
“Why is she naked?”
“Don’t you get it?”
“Have you?”
“Have I what?”
“With her?”
“You mean have I
fucked Jordan? Oh many times. But she is like a friend really”.
For two seconds I
tried to figure out what he meant by that, but soon got back to Junkie. First purring. Then screaming. Then
moaning. Then wailing. Until she stopped and suggested that we should all go to
a bar and have a beer. “Do you know Dresden?”
she asked me, and I looked away. Which was utterly ridiculous: I felt more
embarrassed by her dressing than by her exposing her breasts and her thighs.
By the closing time,
I had been fully converted and had Burroughs’ Junkie in my hands and a promise of many more evenings like that. I
noticed they went home together, and kept thinking about that while walking
along the street at midnight and then withstanding my mother’s questions and
then slipping hungrily into my room. And then I lost it, the moment I turned
the lights on and delved into the pages of what was to become my favourite book.
So that was how it
came about, our friendship. Henry, 16. Jordan, 19. And me, 15 years of age. We often
discussed Jordan between the two of us (in fact, that was all we ever
discussed; Burroughs rarely came into it), and I thought he was hiding
something. Did he really sleep with her and was it really as simple as he made
it out to be? It hardly looked as if they dated, and whenever I tried to broach
the subject – Henry seemed reticent. Jordan was insanely pretty. She was older,
too, and while her company flattered me (both of us in fact), I could not
understand what she was doing hanging out with us. Undressing, reading
Burroughs, taking us to Dresden. For
some reason, Henry never bothered with any of those questions. Which was the
source of my doubts about him and Jordan. Or else it was him being older than
me. We were close without being close. Roughly twice a month we got together
for a few drinks (mostly beer, sometimes whisky) and an occasional reading of
Burroughs. A few times Jordan actually repeated that trick under the oak tree
in Holloway park.
And then it happened.
Burroughs is dying. Of course it sounded
silly and improbable – even if I could not imagine anyone lying about a thing like
that. But Henry sounded snappy and tough and hung up before I could get any
details off him. Quickly, I put my clothes on, skipped breakfast and ran to
Jordan’s place. Two emotions were fighting within me: vague shock but also
delight about seeing Jordan. Seeing her out of order. Seeing her for free.
Henry was already
there. Jordan, upset as I had never seen her before, was sitting on the sofa,
her long white legs folded underneath and her blonde hair covering three
quarters of her face. Henry was sitting by her side, embracing her in a solemn
yet sorrowful manner. Jordan was not crying, but I wish she was. Her silence
seemed devastating, odd, unthinkable.
‘Dead or dying?’ I
asked, seeking to relieve the tension.
‘Fuck you’, said
Henry, and then I knew this was serious.
Apparently Burroughs
had a few days to live. Maybe hours. Earlier that day, Jordan had received a
call from a friend in Kansas, another Burroughs lover like a herself, and told
her about the news coming from Lawrence. As Henry was telling me all that,
through hot whispers and the sipping of cold tea, I just repeated to myself: “Burroughs
is dying, Burroughs is dying”. But the only immediate effect I could think of
was that our friendship would end, Henry would blank me in the street and, most
importantly, I would never see Jordan again.
In the meantime,
nobody said anything and I was close to suggesting going to Holloway Park,
doing a reading of Junkie. Like it
happened the day I met them. Somehow, it seemed symbolic – if not appropriate.
But they were both lost in their grim reverie, and I never said anything.
And then it happened.
The moment that changed everything. Henry, as if possessed by an epiphany, said
it was all down to us. We could do it. Jordan and I looked at him in disbelief,
Jordan’s hopeful and mine a lot less so. Henry said he had a car and I could swear
he had had it all figured out the moment he heard the news about William
Burroughs dying in Lawrence, Kansas.
Jordan’s expression
and her animated movements made me forget about everything else, including my
parents who were probably wondering where I was and why I hadn’t come down for
breakfast. So that now, running with Henry to his car, asking him again and
again if we could really pull it off, I was not thinking about dropping in at
my place and listening to the hushed, worried whispers telling me no, of course
not, what an insane idea. They hated Burroughs because they’d seen the book
covers. They recognised my hangovers and they may have had some vague idea
about Jordan and Henry. So if ever there was a thought now, as Jordan jumped in
and said ‘Go!’, it was that I could ask to stop the car on our way to Kansas
and make the phone call home from a gas station.
Jordan screamed at a
passing car and we all whooped in unison. It was as if we really did think our
coming would make some sort of difference and we could save the great man. Henry
was driving and Jordan was sitting to the right of him, reading aloud from the greatest
pages of Naked Lunch. Right behind
her, I was listening rather carelessly and looking at her white blouse and her
yellow pinafore skirt that revealed the full-blooded expression of her knee and
her shin. She took out a bottle of wine from her bag and we drank: Jordan,
myself, even Henry. And in the meantime, she was articulating her favourite
passages that were getting more and more unreadable because of the dim lights
of the oncoming evening. Henry was driving rather slowly and Jordan had no idea
how to read the map. In the end, he missed more than he got right and I
wondered if we could get there on time – whatever ‘on time’ even meant.
Outside, the state of
Kansas was greeting us with the lonesome lights of gas stations and motels but
through the wine and the voice of Jordan telling us her wild sexual fantasies I
forgot to ask to stop the car and make that phone call. Nothing seemed to
matter, not even William Burroughs dying in his bed and not writing that new
novel he could still write. In fact, everything mattered even less the moment
Jordan turned to me and lit my cigarette. First mine, then Henry’s. The smell
of that cigarette, I knew, would stay with me for some time – as you can
sometimes tell with graphic images or brilliant nightmares or just random
points in life. Meanwhile, Henry switched on his favourite tape of ragged and
nonsensical nighttime jazz and begged us not to fall asleep (this was already
past midnight) as that would make him feel lonely. Jordan obliged, taking out a
half-full bottle of Jack Daniels out of her bag. I realised, to my own
amazement, that I myself was screaming and whooping at those rare cars passing
us by. I behaved like a fool in front of Jordan. I vaguely realised that and
did not care one bit. I could lean forward and kiss her full on her mouth – she
would have played along. Except I never did that, much to my regret, in spite
of all that whisky coursing through my veins. Mixed with blood, wine and
yesterday’s beer. But there was a moment, a painfully brief one, when she lit
my cigarette. First mine, then Henry’s.
I nodded off
occasionally, but something always dragged me back: the jerky jump of the car,
the shrill wailing of the saxophone or the voices of Jordan and Henry. These
voices, I somehow felt, were the voices of adults that did not let you fall
asleep when falling asleep was all you wanted. They kept you awake and you
could not yet get to grips with the kind of reality that mothered those voices
and made them its own. They sounded alien to me and yet so unlike the voices of
my parents as they argued in their bedroom, late at night, hijacking my dreams.
We were approaching
Lawrence when the dawn finally broke, with a movie-like flash against the
sleepy, smoked out, hungover eyes, and it was only then that I began to realise
why we were there. It was not Jordan or Henry or those wild evenings spent at
her place, in Dresden or under a
giant tree of Holloway park. What I remembered then was a postcard I had once
found inside the library copy of The Last
Words Of Dutch Schultz. A black-and-white picture of Burroughs sitting in
the garden, reading a paperback. “To Margaret” was written on the other side,
by a coffee stain that was getting closer and closer to the ageless, creamy
colour of the postcard. I loved that picture and my idea, first whimsical and
then not, was that the picture was all the reason there had to be.
And maybe Jordan was
here for something like that, too, for soon she began speaking about
Cronenberg’s adaptation of Naked Lunch
and how much she loved it. ‘A masterpiece’, Henry stated, his eyes dead, fixed
on the road. I tried to argue, but feebly and without much hope. I did however
imagine Jordan in that scary typewriter scene, her hair sticky and wet and
waving to the open window and the breeze of the early morning.
Our conversation died
down the moment we reached Lawrence and hit the streets. It was 6 am yet
somehow, somewhere, the city was not sleeping. The movements were invisible,
ghost-like and brought about great unease to the hearts deadened by the long
way, the alcohol and the sleeplessness. The streets of Lawrence looked desolate
but well aware of the impending tragedy. And if at some moments during our trip
I wanted to actually stop the car and ask that question (‘How do we even know
this is not just some spoof, some bullshit?’), I knew now this was all true.
I looked at the three
of us. Could it be that we were late? Raped by gigantic emptiness, we were
horrifyingly sober.
Henry banged the car
door, stirring blood cells. It charged through my whole body and I saw the lawn
of the Burroughs house silently invaded by a few dozen people. As we joined
them, to the anxious rumours of a stroke or a heart attack, we were feeling
numb and lost and a little out of time. None of us said anything, or wished to;
it was enough just to see a few old men with battered old books, crying
soundlessly. Otherwise, the scene reminded me of a huge flock of seagulls
waiting for a piece of raw meat. Every second, I was more and more grossed out
by the vision. Henry tried to take Jordan’s hand but she shrugged it off, and I
felt cold and rough and thought of my parents. A guy to the left us was wearing
jeans exactly like mine, and that, too, was a scary vision.
The house was an
ordinary American house but a little on the depressing side. White colour had
long turned grey and the windows were sealed with wood. There was no movement
coming from the house, only the morning was slowly moving on, creeping up on us
with new groups of people and the lush warmth of early August. Jordan had tears
in her eyes. I felt disconnected and struggled to either put my arm around her
or share her emotion. It was sad, it was upsetting, and there was a sense of a
grim, tortured event about the whole thing but…
“Is he dead?” a girl
asked me, breaking up an ugly thought. She must have been thirteen and had
those horrible crooked teeth that usually made beautiful girls even more
beautiful.
“No”, I said. “No, he
isn’t”.
The girl nodded and
went away, and soon I lost her checkered skirt and her baggy sweater in a
growing throng of Burroughs followers. The lawn was overfilled with people and
now there was a strong buzz of a million conversations that were perhaps the
only reasons why we could stand still and disregard that great clot of
tiredness growing within our bodies. It must have been closer to noon, that
pointless noon at the end of summer, when the sense of wait was becoming either
futile or unbearable, when a whispered murmur carved the crowd: William
Burroughs is dead. A bearded guy standing behind us said the body had already
been ‘removed from the premises’. On hearing that, some people began to shuffle
away, sighing and sobbing and maybe even praying. Some were leaving books on
the grass: opened at random pages, face down. We stood there for another hour
and then left. There was an awkward, illogical feeling of hopelessness: not
that we had failed but that Burroughs was dead.
Jordan suggested
going to a local diner and having breakfast. However, none of us had any money
so we simply dragged ourselves back into the car, heavily, sagged by
exhaustion, and Henry started the engine. I thought my parents had probably
called the police. Henry was saying something about seeing the dead body, on a
stretcher, pushed through the crowd. “I saw him”, he said. “I did”.
I didn’t believe him.
Pushing the paperback to the floor of the car, Jordan joined me in the backseat
while Henry was driving us away from Lawrence. Inside me there was a strong sense
of emptiness but there was also a kind of lightness that got stronger when
Jordan put her head on my shoulder and fell asleep.
Before I had a chance
to join her, I thought of the girl we had seen earlier that day. Her name was
Margaret; sometimes you just knew. Also, I thought of the back pocket of my
jeans where there was a letter that began and ended with two words:
“Dear Jordan”.
Written with abandon. A little unlike you but your style all the same. LOVED it.
ReplyDeleteGlad you enjoyed it - makes it all worth it.
DeleteWhat's the deal with the title?
ReplyDeleteI sort of get it from reading the story but vaguely - it's... unusual.
Good question.
DeleteTitle comes from a famous Dylan Thomas line: "Rage, rage against the dying of the light".
"Belle & Sebastian live is like wild sex with a shy person."
ReplyDeleteHaha that's fantastic! Spot on.